The Baban

32-bar reel for 3 couples in a 4-couple longwise set

BarsFigures
1-81C, 2C, and 3C dance left shoulder reels of three on the sidelines.
9-121M with 2M and 1W with 2W turn LH 1 1/2 to change places.
13-242C, 1C, 3C dance 3-couple rights and lefts.
25-322C, 1C, 3C circle six hands round and back.

Devised by Audrey McClellan. Published in 1995 by the RSCDS Twin Cities Branch in 20 Years 20 Dances.

Andrew’s Excel Reel

32-bar reel for 2 couples in a 4-couple longwise set

BarsFigures
1-81C face 2C. 1W with 2W and at the same time 1M with 2M, turn RH and dance back-to-back.
9-161C and 2C dance back-to-back with partner and then turn RH and retain hands.
17-242C, followed by 1C lead down; 1C followed by 2C lead up, remaining in the center of the set.
25-321C cast while 2C dance up into first place. 1C dance a half figure of eight around the standing 2C. 1C cross RH to own sides.

Devised by Doug Schneider. The Excel Development Corporation of Minneapolis, headed by Andrew Berton, produces board games. This dance was intended to have the feel of four players on a board. Published in 1995 by the RSCDS Twin Cities Branch in 20 Years 20 Dances.

Rush Hour Reel

48-bar reel for 3 couples in a 3-couple longwise set

BarsFigures
1-41M, followed by 2M and 3M, chase clockwise halfway around the set while 1W, followed by 2W and 3W, chase counterclockwise halfway around the set. All pass the oncoming dancers by the right shoulder (women to the inside, men to the outside) as they cross the top of the set.
5-8All set twice, taking hands on the sidelines.
9-12Repeat bars 1-4, continuing to chase in the same direction. All pass the oncoming dancers by the right shoulder (women to the inside, men to the outside) as they cross the bottom of the set.
13-16All dance back-to-back with partner.
17-32All dance mirror reels of 3 on opposite sides and own sides, i.e. crossover reels, with all couples crossing over to the other side of the set after dancing through 1st place (as in “Last of the Lairds,” RSCDS Book 22).
33-401C lead down for 3 bars, turn RH for 2 bars, and lead up for 3 bars.
41-48All dance a 3-couple poussette.

Suggested Music: “The Rush Hour Reel” by Sherry Wohlers Ladig (published with the dance in New Friends) or “The Bus Stop Reel” by Anita Anderson.

Devised by Eric Dam in 1998 as he drove home after work. There is the initial stop and go traffic, the merging on to the freeway, the chaos of lane switching, and finally a stretch of empty space to accelerate in, followed by the realization that you forgot to stop at the store, and then the fun of trying to park at the mall. Published by the RSCDS Twin Cities Branch in New Friends.

Kettle River

32-bar strathspey for 3 couples in a 4-couple longwise set

BarsFigures
1-41C set and cast down one place. 2C step up on bars 3-4.
5-81C turn BH about 1 3/4 and turn away from each other to face first corners.
9-161C set to first corners and turn them with BH once around, ending facing second corners. Set to second corners and turn them with BH once around.
17-201C circle three hands round to the left with both corners. On bar 20, 1C pull right shoulders back to face each other across the center of the set.
21-241C turn BH around once in the middle of the set and then set advancing to pass left shoulders and end back-to-back, facing partner’s corners.
25-281C circle three hands round to the left with partner’s corners. On bar 28, 1C pull right shoulders back to face each other across the center of the set.
29-321C turn BH once around and then pull riguth shoulders back and curve into second place on own sides.

Suggested Music: “Kettle River Strathspey,” by Sherry Wohlers Ladig (published with the dance in New Friends)

Devised by Lara Friedman-Shedlov, 1998, to evoke the swirling motion of the Kettle River, near Sandstone, Minnesota. Published by the RSCDS Twin Cities Branch in New Friends.

Ebb and Flow

32-bar strathspey for 3 couples in a 4-couple longwise set

BarsFigures
1-81C cast to 2nd place (2C step up). 1C turn RH 1 1/2 times to opposite sides.
9-16RS reels of 3 on the sides: 1W with men 1M with women. 1C pass first corner by RS to begin
17-202C & 3C right hands across. Meanwhile 1C dance around 1st corner positions, passing by RS to end 1W between 2C facing down and 1M between 3C facing up.
21-241C, 2C, 3C advance for one step, retire for one step, and set
25-282C & 3C LH across. Meanwhile 1C cast pulling RS back to end in 2nd place on own sides of dance.
29-321C, 2C, 3C advance for one step, retire for one step, and set.

Devised by Kate Kok, 1999. Published by the RSCDS Twin Cities Branch in New Friends.

The Lost 40

40-bar jig for 3 couples in a 4-couple longwise set

BarsFigures
1-81C set, 1W turns to face out on bar 2. 1W followed by 1M cast below 2W, across set, below 3M and dance up to face 1st corners. (2C step up on 5-6)
9-16Set to corners and partner (hello-goodbye). End with 1W facing 3W, 1M facing 2M on own side.
17-226-bar opposing REELS passing RS to begin
23-241W & 3W, and 1M & 2M pass by RS.
25-32Dance the BOURREL for three couples.
33-40All CHASE clockwise halfway round; all turn partner RH halfway and twirl R to 2C,1C,3C.

Three Couple Bourrel

Bars 1-4: Top W (2W) and bottom M (3M) dance CCW halfway around the set to end M at the top facing down, W at the bottom facing up while top two M (1M & 2M) and the bottom two W (1W & 3W) set and turn BH with the person diagonally opposite, pivoting R at the end of the turn to finish in a line facing partner, W facing up, M facing down.

Bars 5-8: All set to partner and turn BH to own sides

Repeat having passed a couple

Devised by Janet McKernan in 2015 for the 40th Anniversary of the RSCDS Twin Cities Branch